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USA, Minneapolis (MN)
nimbus theatre

Northeast Minneapolis' Home for Independent Theater

Ghost Sonata
November 1, 2014 - November 23, 2014
A student with second sight longs for beauty, wealth, and
the nobility of the upper class. His journey of discovery will show him
crimes, lies, regrets, hyacinths. And a talking mummy. Strindberg
unflinchingly squires us through a strange maze of desire and
disillusionment, drawing us inexorably deeper into a world of bright
shadows and dark truths. Rarely produced in English, director Zach
Morgan and nimbus’ fearless ensemble, with a new translation by Danielle
Blackbird, illuminate Strindberg’s seminal work of modernist drama.
Translator: Danielle Blackbird
Director: Zach Morgan
Stage Manager: Matt Alto; Set Design: Zach Morgan;
Costume Design: Clara Cavins Wolford; Lighting Design: Brent Anderson;
Properties Design: Ursula K. Bowden; Video Design: Josh Cragun;
Composer: Charlie McCarron
Old Man – Charles Numrich
Student – Andrew Sass
Daughter – Megan Dowd
Girl Scout – Nissa Nordland
Maid – Karen Bix
Dead Man – Mark L. Mattison
Woman in Black – Cate Jackson
Colonel – David Tufford
Mummy – Karen Bix
Young Lady – Megan Dowd
Plutocrat – Andrew Chambers
Johansson – Shannon Troy Jones
Bengtsson – Mark L. Mattison
Fiance – Jean Shore
Cook – Cate Jackson
Cello – Ethan Bjelland
Clarinet – Emily Powell
Clarinet (sub) – Mary Beth Huttlin
Buy Tickets: http://www.nimbustheatre.com/content/ghost-sonata
Link: http://www.nimbustheatre.com/discover/production/ghost-sonata

Italia
Teatro il Nodo

La Signorina Julie
di August Strindberg

Regia: Raffaello Malesci
"Amavo mio padre, ma presi le parti di mia madre, perché
non conoscevo le circostanze. Avevo appreso da lei a odiare e diffidare
degli uomini - lei odiava gli uomini. Ed io giurai che non sarei mai
stata schiava di nessun uomo."
La Signorina Julie
August Strindberg scrive la Signorina Julie nel 1888. Ben
presto questo piccolo dramma in un atto diventa un manifesto del teatro
naturalistico. Oggi dopo più di cento anni abbiamo deciso di riproporlo
in veste moderna, senza realmente preoccuparci delle implicazioni e
stratificazioni storiografiche e di genere teatrale.
Oggi come allora Julie e Jean combattono la loro
schermaglia d’amore senza esclusione di colpi, inesorabilmente attratti
l’uno dall’altra a dispetto di tutti gli ostacoli che si trovano
davanti. Ostacoli sociali, ma anche psicologici, di opportunità, di
convenienza. Ostacoli che nel nostro allestimento si materializzano come
impedimenti fisici che i personaggi dovranno scavalcare e distruggere
per inseguire la propria felicità.
Il desiderio però si rivela illusione, la voluttà
delusione, il sogno nebbia fugace e alla fine la salvezza si ritrova
soltanto nella sicurezza linda e metodica di una tavola ben
apparecchiata.
Scene e costumi: Raffaello Malesci
Luci: Fabio Tosato
Costruzioni scenografiche: Fabio Tosato
Sartoria: Mariuccia Schivardi
Segreteria: Federica Ghidini
Ufficio stampa: Serena Signori
Fotografie di scena: Maurizio Balzarini
Personaggi – Interpreti
La signorina Julie – Elisa Benedetti
Jean – Danilo Furnari
Kristin – Isabella Fossati
Link: http://www.ilnodo.com/spettacolo_scheda.asp?id=210

USA, New York (NY)
August Strindberg Repertory Theatre, Inc.
Miss Julie

October 21 - November 8, 2014
At the Gene Frankel Theatre, 24 Bond Street
The August Strindberg Rep transports "Miss Julie" to an
antebellum Louisiana plantation. The landowner's daughter Julie has just
broken off her engagement. It's Mardi Gras; she and the master's black
butler John dance and drink. They hide in his room while the roughneck
field hands vandalize the house in a never-before performed ballet
sequence devised by Strindberg!
Julie and John have had sex and plan to flee for New
Orleans, take a steamer and open a hotel in Jamaica. She steals her
father's cash box to pay for the trip, but their plan is thwarted when
John's fiancee Christine the cook announces that she will tell the
stable boy on her way to church not to let any horses out until the
Master is back!
Starring Ivette Dumeng as Julie, Reginald L. Wilson* as
John, and Eboni Flowers* as Christine; Allison MacDonald and Joshua
Lamar dance Ja' Malik's choreography.
Adapted by Edgar Chisholm, designed by Miriam Crowe,
Marisa Ferrara, Donna Miskend and Andy Evan Cohen, translated and
directed by Robert Greer.
Link: http://www.strindberg.org/

USA, Pasadena (CA)


The Dance of Death
By August Strindberg
in a new version by Conor McPherson
Directed by Geoff Elliott & Julia Rodriguez-Elliott
Oct 12 – Nov 23, 2014
Production Sponsor: Terri Murray
Love is a battlefield.
“An impassioned, fever dream of an apocalyptic play.” – Chicago Tribune
“[Dance of Death] is a study in the horror of life’s spiritual isolation
– the loneliness that unhappy intimacy with another only accentuates.” –
The New York Times
West Coast Premiere!
Chicago Tribune called this brand-new translation (performed for the
first time West of the Mississippi) “fiendishly energetic” and marveled
at its “expressionistic sexual tension.” Long rumored to be the basis of
Edward Albee’s Who’s Afraid of Virginia Woolf?—and serving up a
similarly unwitting sacrificial lamb—this battle of the sexes crackles
with “a leavening vein of mordant humor” (The New York Times, “Critic’s
Pick.”). Tense and taut, brittle and brave, these scenes from a marriage
cut to the core—and cast an unflinching light on personal revolutions
with astounding force.
Link: http://www.anoisewithin.org/play/dance-death/#top

USA, Minneapolis (MN)

Miss Julie by August Strindberg

Presented by Theatre Coup d'Etat
Originally banned in multiple countries, Strindberg's classic "Miss
Julie" is an examination of power in all its various manifestations. Set
on Midsummer Eve, the play thrusts the audience into the wild upheaval
of the celebration and hot summer night. Strindberg fearlessly tackles
the forever raging battle of the sexes while also hitting upon class,
love and even lust, in this 90 minute tour-de-force by Sweden's
best-known playwright.
Genres: Adults only, Classical drama
Cast + crew
Role Artist
Director Peter Beard
Miss Julie Kelly Nelson
Jean James Napoleon Stone
Christine Brie Roland
Schedule and venue
The American Swedish Institute
2600 Park Ave, Minneapolis
Wednesday, October 1, 2014 - 7:30pm - Sunday, October 26, 2014 - 5:00pm
Tickets: 30
Call (612) 871-4907
Reservations/buy tickets

Link: http://www.minnesotaplaylist.com/performance/audience/miss-julie-august-strindberg

UK, London

Creditors
5th November 2014 to 22nd November 2014 - 7.30pm (Sat 22nd at 2pm)

Price: £14, £11 concessionPrices available at box office, email or via
telephone.
Venue: Main House
Company: Ford Transit Productions
Writer: August Strindberg, Adaptation by David Greig
Director: Jayne Denny
Producer: Ford Transit Productions
Anxiously awaiting the return of his wife, Tekla, Adolph falls under the
sway of an influential stranger.
Old wounds are opened, insecurities are laid bare, and former debts are
settled.
The portrait of a potentially fatal sexual triangle is both coldly
objective and searingly passionate, described as ‘sexy & savage’, filled
with ‘feral poetry’ and ‘venomous language’.
A play that will push the limits of both audience and production, a play
and production not to miss.
Starring Mark Homer, Michael Lawrence-Killingbach and Minna Pang.
Link: http://www.thecourtyard.org.uk/whatson/468/creditors
Also: http://www.offwestend.com/index.php/plays/view/12241

India
National Centre for Performing Arts, NCPA Marg , Nariman Point
Mumbai

Miss Julie
7:00 PM Fri, 26 Sep 2014

Written by the famous 19th-century Swedish playwright August Strindberg,
Miss Julie begins with a party in the house of a count, where his
daughter, Miss Julie, finds herself drawn into a sexual relationship
with her manservant, Jean. Miss Julie and Jean battle for control, while
growing increasingly anxious about their liaison being discovered.
Directed by Sohaila Kapur
Cast: Vidushi Mehra, Damandeep Sidhu & Arti Nayar
A Katyayani (Delhi) Production
The play begins with a party in the house of a count. Little did he know
that innocent daughter was drawn into a sexual relationship with her
manservant, Jean. Watch the couple battle for control whilst trying to
keep their relationship a secret.
Link: http://ncpamumbai.com/events-festivals.aspx?e=726&s=1231
Release Date: 12 September 2014 (Norway)
Liv Ullmann Miss Julie


Italia, Padova

TEATRI OFF PADOVA
in "Il Padre" di August Strindberg

Sabato 30 agosto ore 21.30
Parco d'Europa - Padova (entrata da via del Pescarotto)
con Loris Contarini, Marta Bettuolo, Erica Taffara, Pierantonio Rizzato,
Gianni Bozza
regia di Stefano Eros Macchi
Un capolavoro di dura psicologia che parte da un dissenso coniugale.
Adolf, uomo rigoroso si scontra con la moglie Laura sull'educazione
della figlia Berta. Egli la vorrebbe insegnante, lavoro che si addice ad
una donna mentre la madre la vuole artista, velleità ridicolizzata dal
marito.
In tal modo vengono messi a nudo i nodi irrisolti di un rapporto
inaridito da regole che hanno reso i due coniugi estranei l'uno
all'altro, rivali, nemici. Laura, decisa a imporre ad ogni costo la
propria volontà, non esita ad instillare nell'animo del marito un dubbio
atroce: quello della sua stessa paternità. Inizia così il lungo calvario
mentale del protagonista che sprofonda in un'angoscia devastante,
prefigurando la crisi dell'istituto familiare, che si basa sull'idea
stessa di paternità quale fondamento del potere sulla famiglia e nella
società ed assicurazione di eternità.
In caso di maltempo lo spettacolo si terrà al Piccolo Teatro Don Bosco -
via Asolo (zona Paltana)
Biglietti: posto unico €8
Prevendite:
Gabbia Dischi – via Dante, 8 - tel. 049.8751166
Coin Ticket Store – via Altinate (III piano) – tel. 049.8364084
Scuola di Musica Gershwin – via Tonzig, 9 – tel. 342.1486878
la sera dello spettacolo dalle ore 20.00
Biglietteria online sul circuito Vivaticket – www.vivaticket.it
Info: 342.1486878 – info@padovainestate.it
Link: http://www.padovainestate.it/index.php?page=teatri-off

Argentina

Ojo por ojo

Federico Luppi – Érica Rivas - Darío Dukah
Dirección: Augusto Fernandes.
Un extraño llamado Gustavo (Federico Luppi) se presenta en el balneario
en el que su ex mujer, Tecla (Érica Rivas), pasa unos días con Adolfo
(Darío Dukah), su actual marido. Aprovechando la ausencia de Tecla,
Gustavo mina, sutil pero efectivamente, la confianza que Adolfo tiene en
su matrimonio. Gustavo juega con ventaja. Adolfo no sabe que aquel al
que considera su mejor amigo, no es sino el antiguo marido de su mujer.
Cuando Tecla está a punto de llegar, Gustavo se marcha para, a
escondidas, observar los estertores de la relación entre Adolfo y Tecla.
Finalmente, y tras la marcha de Adolfo, Gustavo reaparece, para consumar
su venganza. Tras un soterrado duelo con su ex mujer, la trama culmina
con un crimen perfecto: un asesinato psicológico a plena luz del día, en
el mancha las manos con la sangre de la víctima.
De Augusto Fernándes. Versión de Acreedores de J.A. Strindberg
Versión libre y puesta en escena: Augusto Fernándes
Producción: Fernando Blanco – Paola Lusardi
Diseño escenográfico: Augusto Fernándes – Marta Albertinazzi
Diseño de Vestuario: Marta Albertinazzi
Diseño de Luces: Augusto Fernándes
Realización de Vestuario: Alberto Bologna – Camen Montecarlo
Diseño sonoro: Marcos Zoppi
Luces: Gonzalo Berdes
Asistencia de dirección: Milagros Plaza Díaz
Asistencia de escenografía y Vestuario: Analía Morales
Producción Ejecutiva: Mariana Cecchini
Preproducción: Paloma Lipovetzky
Diseño gráfico: Alejandro Ros
Fotos: Xavier Martín - Mailen Vazquez
Prensa: Tommy Pashkus Agencia
Teatro: Margarita Xirgu
ESTRENO: Viernes 29 de Agosto, 21.00 hs.
FUNCION DE PRENSA:
Martes 26 de Agosto, 20:30 hs
Funciones
Viernes: 20.30 hs.
Sábado: 21.00 hs.
Domingo: 20.00 hs.
Entradas desde $170 por plateanet o en la boletería del teatro
Link: http://www.espaciountref-xirgu.com.ar/espec-ojoxojo.html

Premiär den 22 oktober 2014.

DÖDSDANSEN
av August Strindberg

DÖDSDANSEN handlar om artillerikaptenen Edgar och före detta
skådespelerskan Alice som efter 25 års bottenfruset äktenskap
fortfarande lever tillsammans, förbittrade över försakade drömmar och
förlorade karriärmöjligheter. Genom vännen Kurts besök från Amerika
brister fördämningarna och missnöjet väller fram.
- Dödsdansen är ett rent mästerverk. Strindberg sätter fingret precis
där det gör som ondast och vrider om med ett glatt sataniskt humör. De
drastiska kasten i texten skapar stor komik och livsfarliga bråddjup.
Det handlar om kärlek, hat, åldrandet och
döden.
Edgar – Mikael Persbrandt
Alice – Lena Endre
Kurt – Thomas Hanzon
Regi, manusbearbetning & scenografi – Stefan Larsson
Kostym – Kajsa Larsson
OBS: Dödsdansen har premiär den 22 oktober 2014.
http://www.maximteatern.com/forestallningar/dodsdansen/
Boka biljett

28 augusti 2014

DÖDSDANSEN
OBS: Spelas
även under oktober 2014
Strindbergs världsberömda äktenskapsdrama DÖDSDANSEN har
Stockholmspremiär den 28 augusti 2014. GÖREL CRONA,
JOHANNES BROST och HENRIK NORMAN
intar scenen i de klassiska rollerna som skådespelerskan
Alice, artillerikaptenen Edgar och vännen Kurt. I tjugofem
år har makarna plågat varandra där man bor isolerade på en
befästningsö. Äktenskapet är bottenfruset. När kusinen Kurt
kommer på besök från Amerika bryts dödläget och helvetet
kommer i dagern. Strindbergs magnifika ”danse macabre”
bjuder på stor tragedi, humor och äktenskapsgnabb i den
högre skolan.
Medverkande: Görel Crona, Johannes
Brost, Henrik Norman, Anders Axelsson.
Regi: Görel Crona.
Musik: Janne Schaffer.
GÖREL CRONA som även står för regi har spelat Strindberg
förr i ”Komplett Galen” och ”Fröken Julie”. 2012 debuterade
hon som filmregissör och manusförfattare med ”Tysta Leken”.
Filmen vann kulturnyheternas bagge som årets debutant. Under
våren 2014 har Crona medverkat i Anne-Charlotte Lefflers
pjäs ”Moster Malvina” på Strindbergs Intima Teater samt fått
lysande recensioner för sin roll i filmen ”Kärlek Delux”.
JOHANNES BROST tilldelades en guldbagge 2013 för
huvudrollen i filmen Avalon. Under våren har Brost spelat i
Allan Edwalls enmansföreställning ”Limpan” på Teater
Brunnsgatan fyra samt i ”Mästerkatten i stövlarna” på
Musikaliska. Vi har också sett honom i TV-serierna
”Lillyhammer” och ”Beck”. Under våren filmar Brost i SVT:s
nya storsatsning ”Jordskott”. I höst kommer Johannes Brost
dessutom ut med ut med en självbiografi.
HENRIK NORMAN medverkade som Prospero i Görel Cronas
uppsättning av Stormen (Mirandas Saga) på Teater i Haga
2011. Han har även spelat Sorin i Sommarteaterns Måsen i
Vaxholm och Alfons pappa på Intiman.
Biljettköp:
www.strindbergsintimateater.se, Kulturdirekt
(Kulturhuset), Nortic 0455-619 700. Du kan köpa biljetter på
Strindbergs Intima teater två timmar innan föreställningen
då kassan öppnar.
Teaterkassa:08- 20 08 43.
OBS
Speldatum oktober
2014
1 ONS
2 TOR 19:00 Dödsdansen
3 FRE 19:00 Dödsdansen
4 LÖR 16:00 Dödsdansen
5 SÖN
6 MÅN
7 TIS
8 ONS 13:00 Dödsdansen
9 TOR 19:00 Dödsdansen
10 FRE 19:00 Dödsdansen
11 LÖR 16:00 Dödsdansen
12 SÖN
13 MÅN
14 TIS
15 ONS
16 TOR 19:00 Dödsdansen
17 FRE 19:00 Dödsdansen
18 LÖR 16:00 Dödsdansen
klicka här>
Köp
biljetter
Biljettpris: 250 kr ordinarie, 230 kr pensionär/studerande,
210 kr scenpasset.
Produktion: Görel Crona Produktion, Strindbergs Intima
teater
Läas mer:
http://www.strindbergsintimateater.se/repertoar/aktuella/Dödsdansen

USA, New York (NY)

ScandinavianAmericanTheaterCompany

Bastards of Strindberg
A world-premier of new short plays inspired by August Strindberg’s “Miss
Julie,” written by a group of the most exciting contemporary American
and Swedish playwrights.
SEPTEMBER 2ND-SEPTEMBER 21ST.
Playing at The Lion Theatre. 410 West 42nd Street.
By Dominique Morisseau (USA), David Bar Katz (USA), Andreas Boonstra
(Sweden), Lina Ekdahl (Sweden)
Directed by: Henning Hegland (Norway) & Alicia House (USA)
Starring: Zenzele Cooper (USA), Albert Bendix (Denmark), Ingrid
Kullberg-Bendz (Sweden), Vanessa Johansson (USA), Rikke Lylloff
(Denmark), Drew O'Kane (USA) Kwasi Osei (Denmark), Devin B. Tillman
(USA)
Composers and Live Musicians: Anette Norgaard (Denmark) & Elyssa Samsel
(USA)
Set & Lighting Design: TBA
Costume Design: Nicole Wee (USA)
Sound Design: Amy Altadonna (USA)
Stage Manager: TBA (USA)
Assistant Stage Manager: TBA (USA)
Link:
http://www.satcnyc.org/#!bastards/c19i6

Argentina, Buenos Aires

'El Pelícano' de August Strindberg
SINOPSIS
"Una familia atrapada en una casa, llena de recuerdos, torturas,
mentiras y abusos. Un padre muerto y una supuesta herencia por cobrar,
pondrán en evidencia la ambición desmedida de alguno de los
sobrevivientes de esta familia a la merced de sus propios intereses y
ambiciones. Una carta aparecerá en el momento justo para develar la
verdad y poner en marcha la venganza. August Strindberg escribió esta
inmensa obra en 1907 sobre los vínculos familiares. La esquizofrenia
tiñe su obra de apariciones fantasmales del pasado que enloquecen a los
culpables."
TEATRO PAYRO
San Martín 766 - CABA.-
Venta de entradas:
www.teatropayro.com.ar
Reservas e informes: 4312-5922 ó Esta dirección de correo electrónico
está siendo protegida contra los robots de spam. Necesita tener
JavaScript habilitado para poder verlo.
ENTRADA GRAL.: $100.-
Estudiantes y Jubilados: $50.-
Nota del Director:
"Para que haya Strindberg, tiene que haber esclavitud. Me retrotrae este
material a la época en que los hijos eran esclavos de los padres y por
más que uno tuviese un padre imbécil, injusto y hasta violento, no podía
más que obedecerlo.
Creo que por suerte (estoy hablando de manera general y no de manera
particular), la época en ese sentido cambió para mejor. Y esos padres
terribles quedaron expuestos en toda su miseria y narcisismo ante la
psicología entre otras cosas y a partir de ahí, el engaño ya no fue tan
fácil.
Pero esta familia, es un ejemplo de oscurantismo, y de cómo puede
ejercerse la tiranía sobre algunos seres, tomando como escudo el rol de
madre o padre de familia. Los que deberían dar de comer, son los que
esconden el pan solo para ellos, y dan migajas a sus pequeños.
Por eso la imagen del Pelícano, se yergue con una humorada sutil,
irónica, para retratar a una madre que está dispuesta a comer a sus
propias crías con tal de sobrevivir.
Retratar a esta familia, es retratar el horror de haber tenido que
soportar alguna vez los vejámenes de una educación patética y
miserable."
Gabriel Molinelli.
Director: Gabriel Molinelli y Bernardo Forteza
Autor: August Strindberg
Elenco
Elisa, la madre..........Graciela Bonomi
Fredrik, el hijo........... Andrés Gorostiaga
Gerda, la hija............. Laura Sardin
Axel, el yerno............. Diego Burzomi
Margret, la criada...... Cristina Culatina
Ficha Técnica:
Actores: Graciela Bonomi, Diego Burzomi, Cristina Culatina, Andrés
Gorostiaga y Laura Sardin
Iluminación: Diego Burzomi y Bernardo Forteza
Música original: Marcelo Ferreyra
Vestuario: Cristina Tavano
Escenografía: Cristina Tavano, Gabriel Molinelli y Bernardo Forteza
Diseño gráfico: Andrés Gorostiaga
Realización audiovisual: Pedro Ielpi y Andrés Gorostiaga
Prensa y comunicación: Más Prensa
Asistencia de dirección: Diego Nicanor Gonzalez
Realización ejecutiva: Lucas Silvani
Dirección general: Gabriel Molinelli y Bernardo Forteza
Esta obra está dedicada a la memoria de Gabriel Molinelli.
Link:
http://www.teatropayro.com.ar/plays/view/28

Deutschland

Fräulein Julie

August Strindberg
REGIE: Joana Tautz
Es ist die Nacht des Mitsommernachtsfestes: Die junge Adelige Julie
fühlt sich zu dem Diener Jean hingezogen. Jean beeindruckt sie mit
seiner Bildung und Männlichkeit, Julie wiederum, von hohem Stand und
lebensfreudig, schafft es, dass Jean schließlich seine Verlobte
kurzzeitig vergisst. Zwischen den beiden entspinnt sich eine heftige
Liebesbeziehung, die von den starken Standesunterschieden und
wechselnden Dominanzverhältnissen geprägt ist. Am Ende der Nacht scheint
die Situation der beiden ausweglos verwickelt.
August Strindberg ist neben Ibsen der bekannteste klassische Dramatiker
Skandinaviens und gilt als Wegebreiter des literarischen Expressionismus
und Symbolismus. »Fräulein Julie« stellt einen der Höhepunkte in
Strindbergs Werk dar. Kernthema vieler seiner zahlreichen Werke ist das
Verhältnis der Geschlechter zueinander und das Untersuchen sozialer
Rollen.
Joana Tautz studierte Regie an der Theaterakademie in Ulm und ist seit
Sommer 2012 Regieassistentin am Theater Konstanz. Mit »Iris« nach
Hermann Hesse gab sie dort im Februar 2014 ihr Regie-Debüt, nun
inszeniert sie für das Sommertheater Überlingen »Fräulein Julie« in der
Kapuzinerkirche.
Link:
http://www.theaterkonstanz.de/tkn/veranstaltung/06254/index.html

USA (MA)
The Actor's Studio of Newburyport

August Strindberg’s The Stronger

Friday and Saturday, July 18 & 19 at 8 pm; Sunday July 20, 7 pm
Two iconic short plays directed by Glenda Donovan
Friday and Saturday, July 18 & 19 at 8 pm; Sunday July 20, 7 pm
August Strindberg’s The Stronger
Featuring Anna Smulowitz and Kathleen Isbell
In this short play Strindberg creates an episode of incredible, poetic
power – a snapshot of life so intense, so powerful, that it rivals
Beckett at his best. Like a Kafka short story, ‘The Stronger’ is rich in
allegory and lends itself to many layers of interpretation.
It is a powerful play, one that makes a deep impression, and leaves one
with the illusion that one has travelled far and seen much.
What is it that makes the play so powerful? To begin with, it is an
immaculate piece of stagecraft. It is a tribute to Strindberg’s genius
that despite the fact that one character, Miss Y, says nothing right
through the play, the interaction between her and Mrs X is in every
sense of the term a dialogue, leaving open the question of who is ‘The
Stronger’ one.
Anton Checkov’s, The Proposal
First performed in 1890, this one-act farce suggests that, in marriage,
economic security takes precedence over romance and love. The play takes
place in 19th Century Russia and takes a satirical look at the upper
middle class and courtship.
Lomov is thirty-five years old and his neighbor Natalia is twenty-five,
well past the age of most brides at the time of the play's setting. This
fact suggests that Lomov's motivation is not romantic, but practical.
Lomov is reluctant to say anything romantic to Natalia; instead, he
speaks of the meadows, “....and furthermore....my meadows touch your
birchwoods.” The marriage proposal itself is laced with foolish
arguments over small things.
Link:
http://www.newburyportacting.org/calendarjuly.html

Italia
AAA Laboratori teatrali cercasi?
È sempre tempo per imparare e formarsi: ecco i laboratori che si
terranno in città nel mese di luglio.
Di Giulia Esposito
Quartar Parete, 27 giugno 2014

Laboratorio condotto da Orlando Cinque – Verso il Pellicano – II
studio
Dove: Palazzo De Liguoro
Quando: 12 giorni dal 7 al 19 Luglio 2014 per quattro ore di lavoro.
Orario: 15-19
Descrizione: Dopo la straordinaria esperienza umana ed artistica di
CREDITORI, intendiamo continuare il nostro percorso di studio e ricerca
sulla drammaturgia classica moderna, muovendo i primi passi verso la
messa in scena de IL PELLICANO, anch’esso di August Strindberg.
Crediamo che in momenti di crisi, culturale ed umana prima che
economica, bisogna ritornare a confrontarsi coi Maestri e con le
necessità più profonde del fare teatro. Abbiamo cercato in Strindberg un
nume tutelare, un “padre” nell’arte. Abbiamo incontrato la sua
struggente e spesso contraddittoria ricerca di verità, riconoscendoci in
essa. Abbiamo trovato una miniera aurea di stimoli e suggestioni per
sviluppare la nostra poetica e dare risposte alle nostre domande.
Non vogliamo abbandonare un percorso che ci ha dato così tanto. Vogliamo
cercare nuovi modi – anche produttivi – per proseguirlo. Quindi
rilanciamo: CREDITORI per il momento non girerà? Bene. Noi puntiamo a
una Trilogia Strindberghiana, e ci prepariamo al secondo movimento: Il
PELLICANO
Perché? perché ci permette di affrontare un tema per noi fondamentale:
quello della famiglia e , in generale, del rapporto con tutto ciò che ci
nutre ma al tempo stesso ci rende dipendenti da pesanti gabbie
‘identitarie’: la Tradizione, la Cultura, la Religione o perfino il
Metodo che adottiamo, dentro il quale ci sentiamo sicuri. Vogliamo fare
un passo per liberarcene..
Ci proponiamo quindi di realizzare una serie di laboratori intensivi nei
quali condividere quanto appreso dall’esperienza di CREDITORI, muovendo
i primi passi nello studio de IL PELLICANO. Per non disperdere quanto
imparato, aprendosi a incontri e modalità nuove.
A chi è rivolto: Il laboratorio è diretto ad allievi attori che abbiano
maturato esperienza scenica e ad attori professionisti che vogliano
misurarsi con la drammaturgia di August Strindberg.
Per info e prenotazioni:
hangarOpelican@gmail.com –
annachiara_senatore@yahoo.com -339 891 01 63
Link:
http://www.quartaparetepress.it/index.php/2014/06/27/aaa-laboratori-teatrali-cercasi-5/

Nigeria
Arojah Royal Theatre

August Strindberg's
Dance of Death 1

Swedish playwright, August Strindberg is set to make,
probably what could be said to be his first ever appearance on the
Nigerian’s theatre space, as Abuja based theatre outfit, Arojah Royal
Theatre is set to stage Dance of Death, Part 1.
The two part play is about a half-crazed married couple locked together
in splenetic isolation. Edgar, a
garrison captain played by Toba Oyewale, and his wife, Alice played by
Oluwaseun Odukoya, a thwarted actor, prepare to celebrate 25 years of
married torment in the fortress they laughably call home. Half-starved
and seething with contempt for everyone on the island, they fall with
malign glee on Alice's cousin, Kurt, played by Ebitchi Promise, who
arrives to be the new quarantine master. Since it was Kurt who brought
them together, he becomes a weapon in their domestic warfare, as well as
someone to confide in. But, contaminated by their viral passion, Kurt
eventually beats a retreat leaving the pair in a state of exhausted
reconciliation.
VENUE - Residence of the Swedish Ambassador to Nigeria on Plot 41, T.Y.
Danjuma Crescent, Asorokoro Abuja.
TIME - First Show - 3.00pm & Second Show - 5.30 pm
Gate Fee - STRICTLY BY INVITATION. To reserve a seat, call 0805 277 1123
or email:
arojatiata@gmail.com for details.
Read more:
http://www.wherevent.com/detail/Arojah-Royal-Theatre-Command-Performance-of-August-Strindberg-s-DANCE-OF-DEATH#iMkG1rVPRGFcmIMq.99
& FB -
https://www.facebook.com/events/716113888434834/
Link:
http://www.arojahtheatrengr.com/

Italia
Spoleto57 Festival dei 2Mondi

DANZA MACABRA
di August Strindberg
traduzione e adattamento Roberto Alonge

regia Luca Ronconi
con
Adriana Asti
Giorgio Ferrara
Giovanni Crippa
scenografia Marco Rossi
costumi Maurizio Galante
luci A. J. Weissbard
suono Hubert Westkemper
produzione
Spoleto57 Festival dei 2Mondi
Teatro Metastasio Stabile della Toscana
in collaborazione con Mittelfest 2014
Teatro Caio Melisso Spazio Carla Fendi
27 GIUGNO 21:00
28 GIUGNO 16:30
29 GIUGNO 16:30
04 LUGLIO 18:00
05 LUGLIO 15:30
06 LUGLIO 18:30
biglietti:
platea e palchi platea € 35,00
palchi I e II ordine € 20,00
loggione € 10,00
Link:
http://www.festivaldispoleto.com/2014/Teatro.asp?id_progetto=188

USA, Texas
The Southwest Association of Literary & Dramatic
Artists presents Julie

Times: June 13-15, 19-21, 26-28 at 8pm; June 22 at 2pm
Playwright(s): William M. Razavi
An upstairs/downstairs love affair. A desire for debasement and
advancement. Bullying, brutal, tender, wistful. All of these have been
used to describe productions of August Strindberg’s Miss Julie. Ours is
a new version, exploring these same emotions and conflicts in a
contemporary, local setting. The mad tryst between Julie, a rich kid
bored with her privileged life and tragically abandoned by mother,
father, and fiancé, and John, a Valley exile striving to attain his own
small American dream, is fueled by those very desires for debasement and
advancement, but also by Julie’s fragile need to have a real moment of
connection. John’s lover and Julie’s friend Christine is sacrificed on
the fire of John and Julie’s sexual collision, until she, too, sees an
opportunity to achieve her own ends. In their desperate attempts to
grasp a little of their own, the three are ultimately willing to destroy
each other, even themselves, for a moment of true freedom.
Cast:
Julie: Sarah Nixon
John: Miguel Di Costanzo
Christine: Emily Lyssy
Directed by Emily Fitzgerald
Location: Performing Arts San Antonio (PASA), 15705 San Pedro Ave, San
Antonio, Texas, 78232
Tickets: $15.00 General Admission, $5.00 discount to students and SATCO
members
- See more at:
http://satheatre.com/playbill?member=73#sthash.p2VHdQOO.dpuf
Link:
http://satheatre.com/playbill?member=73
&
http://www.swalda.org/gallery.html

Deutschland, Berlin

Stadtbad Steglitz

Totentanz (Blauer Raum)
nach August Strindberg
/ gefördert vom Kulturamt Steglitz-Zehlendorf aus den Mitteln des
Bezirkskulturfonds
Donnerstag, 22. Mai 14, (20:00) bis Samstag, 24. Mai 14 (13:26)
„Totentanz“ von August Strindberg ist das Urbild aller Ehedramen. Auf
einer entlegenen Insel lebt der Offizier Edgar mit seiner Frau Alice
seit fast 25 Jahren in einem Festungsturm. In völliger Isolation. Aus
der einstigen Liebe ist mittlerweile abgrundtiefer Hass geworden, sie
bekämpfen sich, wo sie nur können. Aber was geschieht, wenn man die
Machtverhältnisse umdreht?
Wenn aus dem Patriarchen Edgar Eddy wird, eine moderne und erfolgreiche
Geschäftsfrau, und aus Alice, dem Musterbeispiel weiblicher Ohnmacht,
Al, der erfolglose Schauspieler, der um der gemeinsamen Kinder willen
seine Karriere aufgegeben hat? Jetzt sind sie in mittleren Jahren und
ziehen Bilanz, dass einem Hören und Sehen vergeht…
Im „blauen Raum“ des Stadtbads Steglitz, dessen blau glänzender Boden
die Zuschauer wie ein lebensfeind liches Meer empfängt, spielen die
beiden hier die tragikomische Version eines Endspiels, in dem man sich
hasst, sich bekämpft auf Leben und Tod, das aber durchaus spielerisch,
mit scharfem Witz und einem besonderen Sinn für Humor.
Und so wird weiter getanzt am Rande des Abgrunds, bis dass der Tod sie
scheidet.
Konzeption und Schauspiel: Anette Daugardt und Uwe Neumann
Bühne und Kostüm: Dorothea Schutsch
Regieassistenz: Birthe Walter
Licht: Friedrich Gatz
Ort: Blauer Raum Eintritt: 20,-/ 15,- Euro ermäßigt
Link:
http://www.stadtbad-steglitz.de/termin.html?&tx_ttnews[tt_news]=762&tx_ttnews[backPid]=6&cHash=ff6c7a5203

USA, Miami (FL)
The Naked Stage presents


MISS JULIE
By August Strindberg
May 23 - June 8, 2014
Directed by Margaret M. Ledford
Starring: Katherine Amadeo, Matthew William Chizever and Deborah L.
Sherman
The Naked Stage returns with Michael Meyer’s vivid translation of August
Strindberg’s classic drama.
The year is 1894. Midsummer night’s celebrations are in full swing, but
the Count’s daughter, the beautiful and imperious Miss Julie, feels
trapped and alone. Downstairs in the servants kitchen, handsome and
rebellious footman, Jean, is feeling restless. When they meet, a passion
is ignited that soon spirals out of control. Strindberg’s masterpiece
caused a scandal when first produced -- and has been hugely popular ever
since -- for its searingly honest portrait of the class system and human
sexuality.
The Naked Stage performs at the Pelican Theatre. 11300 NE Second Ave,
Miami, Florida 33161
Tickets: (866) 811.4111 Admin Office: (954) 261-1785 Email:
thenakedstage@mac.com
Link:
http://www.nakedstage.org/TheNakedStage/On_Stage.html

To Damascus, Part 1

August Strindberg's "To Damascus, Part 1" will be adapted to Harlem,
1962, by August Wilson playwrighting fellow Nathan James with a
multi-racial cast April 18 to May 11, Thursday, Friday and Saturday at 8
PM and Sunday matinees at 1:30 PM.
The August Strindberg Rep will present Part Two in March, 2015 and Part
Three in 2016, the first time the trilogy will have been presented
complete in English and the first time in any language in 99 years!
The Harlem 1962 setting was chosen by artistic director Robert Greer and
dramaturg Nathan James, a frequent actor in Strindberg Rep productions.
It seemed appropriate to place this expressionist play into an era
where, at least in Black neighborhoods, the pace of social change had
accelerated nearly to the point of surrealism. Not only had the Civil
rights era come to a boil during the early '60s, but the first
inter-racial couples had begun to appear in public. A partner in one of
these couples was the literary artist Amiri Baraka. His parallels to The
Stranger, the hero of Strindberg's play, were poignant to James and
Greer and influenced their vision for this character.
Part one of the trilogy has been described as "Strindberg's most complex
play" and as "his greatest play," with its mix of myths, symbols and
ideas and a profound spiritual analysis in a new dramatic form, and the
trilogy his magnum opus, drawn from his near-total nervous breakdown,
the marriage that preceded and precipitated it, and the restorative
effects of the marriage that followed. The Strindberg Rep will present
one part each Spring through 2016.
At the Gene Frankel Theatre, 24 Bond Street in the East Village.
Previews 8 PM - Friday, April 18, 2014, Saturday, April 19, 2014
Opening 1:30 PM - Sunday, April 20, 2014
Performances 8 PM
Thursday, April 24, 2014, Friday, April 25, 2014, Saturday, April 26,
2014
Thursday, May 1, 2014, Friday, May 2, 2014, Saturday, May 3 2014
Thursday, May 8, 2014, Friday, May 9, 2014, Saturday, May 10, 2014
Matinees 1:30 PM - Sunday, April 27, 2014, Sunday, May 4, 2014
Closes 1:30 PM - Sunday, May 11, 2014
AND "The Deadly Dance", Fred Crecca's adaptation of "The Dance of
Death" will be directed by Whitney Aronson.
Wednesdays at 8 PM, April 23, April 30, May 7
tickets $18
students and seniors $12
SmartTix.com 212-868-4444
We participate in the TDF Off-Off@$9 program.
Link:
http://www.strindberg.org/

USA, Chicago (ILL)
Writers Theater

The Dance of Death
By
August Strindberg
In a new version by Conor McPherson

Directed by Henry Wishcamper
April 1 - July 20, 2014
Location: 664 Vernon Ave | Get Directions ›
Running Time: 2 hours and 15 minutes with one intermission
August Strindberg’s masterpiece tells the deliciously venomous story of
a crumbling marriage—laced with black comedy and biting humor. As their
25th anniversary approaches, military captain Edgar and his wife, Alice,
face off in a fierce battle of wills. Their sparring proves both
harrowing and hilarious, amplified by the voice of celebrated playwright
Conor McPherson (Port Authority, The Seafarer, Shining City, Dublin
Carol). His adaptation brings lyricism and ferocity to the story of the
tyrannical captain and his manipulative wife, and the “innocent” Kurt
who stumbles into their midst and quickly finds himself ensnared in the
couple’s wicked game.
Shannon Cochran (Alice)
Phillip Earl Johnson (Kurt)
Larry Yando (Edgar)
Henry Wishcamper (Director)
Kevin Depinet (Scenic Designer)
Rachel Laritz (Costume Designer)
Keith Parham (Lighting Designer)
Josh Schmidt (Sound Designer)
Julie Eberhardt (Props Designer)
Tommy Rapley (Choreographer)
Greg Allen (Assistant Director)
Rebecca Pechter (Stage Manager)
Link:
http://www.writerstheatre.org/the-dance-of-death

Deutschland, Frankfurt

Ein Traumspiel
August Strindberg
Deutsch von Willi Reich
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Und manchmal schwirrt der Schwindel durch die Lebenden / an der Grenze
zwischen Wahnsinn und Verrücktheit.
Was ist das Leben oder: Wie wollen wir leben? Strindberg schickt Agnes,
die Tochter des Gottes Indra, auf die Erde und beschreibt, was in ihrem
Kopf passiert: ein Alb-Traumtrip durch Lebens-Möglichkeiten. Phantasie
übertrifft dabei die Wirklichkeit, alle Figuren und Geschichten kommen
und gehen wie im Traum. Hinter jeder Tür ist: Nichts.
Strindbergs Traumlogik schwebt zwischen Schönheit und Wahnsinn,
beklemmend und befreiend, bürgerliche Selbstverwirklichungsideologie
trifft auf ein Gespenst namens Freiheit.
Der Regisseur Philipp Preuss wird mit dieser Arbeit an seine früheren
Inszenierungen am Schauspiel Frankfurt wie »Alice im Wunderland« und
»Das Käthchen von Heilbronn« anknüpfen. Wiederum wird er Bilder des
angelegten und verlegten Lebens zaubern und skizzieren, denn das Stück
hebelt das Diktat des Orts und die Logik der Zeit aus und führt zu
unendlichen Stationen, die letztlich immer nur Zwischenstationen sind.
Regie: Philipp Preuss
Bühne: Ramallah Aubrecht
Kostüme: Katharina Tasch
Musik: Kornelius Heidebrecht
Video: Konny Keller
Besetzung: Franziska Junge, Lisa Stiegler, Nico Holonics, Sascha Nathan,
Christoph Pütthoff, Kornelius Heidebrecht (Musiker)
Link:
http://www.schauspielfrankfurt.de/spielplan/stuecke.php?SID=1000326

.jpg)
August Teatern
August Strindbergs svarta komedi ”Leka med elden”.
Spelas 4, 5, 11 och 12 april i Teaterladan, Wadköping.
Kom på en underhållande och intressant föreställning av August Teatern,
en nystartad frigrupp bestående av teaterpedagoger, som nu sätter upp
August Strindbergs svarta komedi ”Leka med elden”.
Knuts och Kerstins äktenskap ser bra ut på ytan. De har det gott
ekonomiskt, hus, familj och en gemensam vän som älskar dem, men älskar
dem varandra? Vad händer om gnistan försvinner och man börjar tröttna på
varandra? Oskyldigt flörtande kanske kan tända lågan på nytt? Fast ingen
av dem kan ana vad som händer när man börjar leka med elden.
I denna moderna tolkning av Strindbergs originalmanus, berörs de
känsliga och tabubelagda ämnena olycklig kärlek och otrohet. Ett
aktuellt ämne att belysa idag, precis som för över 100 år sedan när
manus skrevs. Var går gränsen mellan harmlöst flörtande och otrohet? När
bör man följa sitt eget hjärta, med risk att såra dem man älskar?
Spelas:
4 april kl. 19.
5 april kl. 14 och 18.
11 april kl. 19.
12 april kl. 14 och 18.
Plats: Teaterladan i Wadköping.
Regi: Peter Joelsson.
På scen: Ingrid Eklund, Mikael Östlin, Christer Norén, Jonas Stenström,
Christoffer Lindskog och Magdalena Magnusson.
Pris: 100 kr vuxen. 50 kr student, ungdom och pensionär.
Biljetter bokas på ticnet.selänk till annan webbplats eller betalas på
plats.
Länkar:
https://www.orebro.se/26828.html
&
Länkar:
http://www.bilda.nu/en/Kalendarium/Svealand-140404--Leka-med-elden1/
Biljetter:
http://www.ticnet.se/search/leka%20med%20elden?tm_link=tm_header_search&language=sv-se&keyword=leka+med+elden


Dödsdansen -av August Strindberg
premiär den 22 oktober 2014.

BIILJETTSLÄPP 7 februari KL.
10.00
DÖDSDANSEN handlar om artillerikaptenen Edgar och före detta
skådespelerskan Alice som efter 25 års bottenfruset äktenskap
fortfarande lever tillsammans, förbittrade över försakade drömmar och
förlorade karriärmöjligheter. Genom vännen Kurts besök från Amerika
brister fördämningarna och missnöjet väller fram.
- Dödsdansen är ett rent mästerverk. Strindberg sätter fingret precis
där det gör som ondast och vrider om med ett glatt sataniskt humör. De
drastiska kasten i texten skapar stor komik och livsfarliga bråddjup.
Det handlar om kärlek, hat, åldrandet och
döden.
Edgar – Mikael Persbrandt
Alice – Lena Endre
Kurt – Thomas Hanzon
Regi, manusbearbetning & scenografi – Stefan Larsson
Kostym – Kajsa Larsson
OBS: Dödsdansen har premiär den 22 oktober 2014.
http://www.maximteatern.com/forestallningar/dodsdansen/
Boka biljett

Glasgow, UK

Citizens Theatre
Miss Julie:
An Afternoon with Strindberg

A new version by Zinnie Harris, based on Strindberg’s play
Main Theatre, 6 Feb 2014 to 15 Feb 2014
A flirtatious contest for power becomes a vicious struggle for survival.
With Sherlock’s Louise Brealey. Only 9 performances!
In the oppressive heat of summer, Julie is drawn into a dangerous game
with her father’s butler, John. As the night wears on, the couple from
opposite ends of the social spectrum, flirt and fight towards an
explosive conclusion.
A thrilling upstairs-downstairs liaison, played out against a background
of industrial and social unrest, August Strindberg’s masterpiece is
relocated to 1920s Scotland in this powerful new version of the classic
European play. Louise Brealey, star of the BBC’s Sherlock takes the
title role of Miss Julie.
Zinnie Harris has written extensively for theatre and television
including the acclaimed The Wheel, Further than the Furthest Thing,
Midwinter, Fall and the BBC’s Spooks.
Prices
50p-£19.50 (concessions available)
Preview £8 | Tuesdays £12
50p tickets on sale Sat 1 Feb
£2 online transaction fee applies
See Pricing for all prices, concessions and offers inc. Season Pass
EVENT
Miss Julie: An Afternoon with Strindberg
15 Feb 12.15pm | £10 plus ticket to the show
SCHOOLS’ WORKSHOP
Miss Julie: Inside the Rehearsal Room
Aimed at Higher and Advanced Higher Drama Students
Link:
http://citz.co.uk/whatson/info/miss_julie/

España, Madrid

presenta
"Jugar con fuego"

"Jugar
con fuego"
Días: 17, 18, 19, 24, 25 y 26 de enero 2014
Viernes y sábados a las 21:00 h. y domingos a las 20:00 h.
Directora: Rebeca Mayorga
Actores: Beatriz Collado Álex Alcaide Jesús Villegas y Jerónimo Salas
Un triangulo amoroso juega entre el deseo y lo prohibido como antídoto a
lo cotidiano.
Jugar con Fuego es una comedia donde las perversiones de los jugadores
pueden llegar a quemar.
En el Teatro LAGRADA
C/Ercilla 20, 28005-Madrid
Metro Embajadores y Acacias
Reservas/venta de entradas: 91 292 64 77 (Teatro Lagrada)
http://www.entradas.com/entradas/evento.do?idEvento=214942&identidad=1#
Link:
http://www.teatroeterneo.com/

Chile
FUNDACIÓN TEATRO A MIL Y TEATRO LA MEMORIA PRESENTAN
“CASTIGO”

Montaje teatral basado en un texto autobiográfico de August
Strindberg
Puesta en Escena / Cristián Plana
Con / Rodrigo Soto / Alexandra Von Hummel / Daniela Ropert / Diego Salvo
/ Natalia Ríos.
DESDE EL 21 DE MARZO AL 28 DE ABRIL
CASTIGO es la Puesta en Escena de un episodio de infancia
relatado por el sueco August Strindberg en su novela autobiográfica “El
hijo de la sierva”, escrita a finales del siglo XIX. La escena gira en
torno al castigo recibido por el niño Strindberg a manos de su padre, en
complicidad cruel con su madre y presenciada compasivamente por su
niñera. Se trata de un retrato arquetípico que pretende dar cuenta de
los vicios y abusos enquistados en esta intangible institución moral
llamada familia.
En CASTIGO se exponen conflictos humanos que trascienden la biografía
del autor, permitiendo al espectador mirarse en la escena y verse
reflejado como en un recuerdo de infancia, donde se mezclan
siniestramente la memoria y la imaginación, reconstruyendo, y a la vez
ensoñando, un pasado inmemorial.
Puesta en Escena / Cristián Plana
Asistente de Dirección / Carla Casali
Elenco/ Rodrigo Soto / Alexandra Von Hummel / Daniela Ropert / Diego
Salvo / Natalia Ríos.
Diseño integral / Belén Abarza
Sonido / Diego Noguera
Realización Escenografía / Fernando Quiroga / Sandro Compayante /
Cristián Canales.
Funciones / Miércoles a Domingo
Horarios / Miércoles a Sábado 21:00 horas, Domingo 20:00 horas
Valores Entradas / Miércoles y Jueves Populares $ 2.000 / Entrada
General $ 4.000, Estudiantes y Tercera Edad $ 2.000.
Reservas On line y al Teléfono 2 7323000
Convenio Estacionamientos
Informaciones http://www.fitam.cl/
Link:
http://www.teatrolamemoria.cl/05/04/2013/castigo-ciclo-teatro-hoy/

France, Paris
Théâtre :
Orage de August Strindberg
jusqu'au 15 décembre 2013

Texte français René Zahnd (Actes-Sud Editions)
mise en scène : Jacques Osinski
avec : Grétel Delattre (Gerda, femme divorcée de Monsieur), Jean-Claude
Frissung (Monsieur)
Michel Kullmann (le Frère), Alice Le Strat (Louise, parente de
Monsieur), Baptiste Roussillon(Starck, le patissier) et la voix d’Agathe
Le Bourdonnec
Dramaturgie : Marie Potonet
Scénographie : Christophe Ouvrard
Lumières : Catherine Verheyde
Costumes Hélène Kritikos
Son : Sébastien Riou
du 15 novembre au 15 décembre 2013au Théâtre de la Tempête (Route du
Champ-de -Manœuvre 75012 Paris)
Est-ce qu’August Strindberg a cherché à écrire une pièce sur le temps
immobile, où les personnages semblent à jamais figés dans un éternel
présent ressemblant bizarrement à un passé encore tout proche ?On peut
aussi peut-être supposer qu’August Strindberg a mis dans sa pièce Orage
plusieurs éléments autobiographiques, puisque de nombreuses similarités
concernent aussi bien la vie d’August Strindberg que celle du personnage
nommé Monsieur dans Orage… Derrière le calme apparent d’une salle à
manger vue à travers une verrière, un homme déjà âgé, solitaire, dîne
dans un décor figé et vieillot. Seule une servante qui vient
méthodiquement apporter les plats et desservir, rompt cette solitude
quelque peu pesante qui imprègne ce lieu où à l’évidence, personne ne
s’aventure. Pourtant un autre personnage lui-aussi d’un certain âge
vient tambouriner sur la vitre, invitant le dîneur à venir le rejoindre
pour une promenade que l’on devine pratiquée quotidiennement par ces
deux personnages. Peu à peu s’engage entre les deux hommes âgés qui se
révèlent être frères, une sorte de dialogue, qui va permettre de
découvrir le passé du personnage qu’August Strindberg nomme Monsieur. Un
passé que Monsieur tient absolument à refouler et à bannir de son
existence actuelle confinée et répétitive à l’excès. Monsieur tient en
effet à sa tranquillité et le souvenir d’un divorce avec une certaine
Gerda dont il a eu une fille peut s’il est évoqué accidentellement au
détour d’une conversation, ramener à la surface des souvenirs que
Monsieur d’une certaine façon aimerait enterrer à jamais. Elément
dérangeant qui sournoisement va s’infiltrer partout et imposer une sorte
d’angoisse latente : la présence matérialisée par de fréquents éclairs
d’un orage qui se prépare à éclater. On peut dire que l’orage éclate
lorsque Monsieur se retrouve à nouveau face à face avec Gerda qui mue
par on ne sait quelle force obscure, s’introduit à nouveau dans la
maison de Monsieur. Ce qui suit après cette rencontre est d’une rare et
sèche violence et Gerda s’aperçoit qu’elle n’est nullement la bienvenue
et finit par disparaître à jamais dans les ténèbres, laissant Monsieur à
sa rancœur et sa haine. Le frère qui pourtant vient quotidiennement se
promener avec Monsieur n ‘est pas lui non plus exempt de toute ambiguïté
et l’on devine que ses relations avec l’ex-épouse révèlent chez lui une
alliance de fait avec Gerda contre Monsieur…
Pièce d’atmosphère, Orage de Strindberg malgré son apparente simplicité,
ne laisse guère d’indices pour cerner ce qui détermine le destin de
chacun de ses protagonistes condamnés par une sorte de fatalité à errer
dans les labyrinthes que tout au long de leur existence ils ont
patiemment façonnés..
Jacques Osinski qui est responsable de la mise en scène d’Orage d’August
Strindberg réussit une mise en scène démunie de tout artifice et de
toute convention. Par petites touches il met à nu la personnalité de
ceux qui gravitent autour de cette maison, révélant leurs lâchetés et
leurs faiblesses, sans pourtant trop les accabler ou les juger. Pour
arriver à ce résultat Jacques Osinski a choisi deux acteurs parfaits :
Jean -Claude Frissung (Monsieur) et Michel Kullmann (le Frère) qui
incarnent avec une étonnante justesse leurs personnages respectifs,
semblant ne faire qu’un avec ces derniers…
Le reste de la distribution d’Orage est aussi d’un très haut niveau
révélant chez Jacques Osinski le soin extrême qu’il prend à diriger avec
précision chaque personnage même « secondaire »..
Au total un spectacle Strindberg hautement recommandable tant par la
qualité du sujet abordé que par la très grande fidélité apportée à
l’esprit du grand dramaturge, par Jacques Osinski.
Link:
http://on-mag.fr/index.php/zegreen/news/fashion/12370-theatre-orage-de-august-strindberg-jusqu-au-15-decembre-2013

«ΔΕΣΠΟΙΝΙΣ ΤΖΟΥΛΙΑ»,
του August Strindberg
(Fröken Julie)
december 2013

Επιμέλεια: Νίκος Αρώνης
Redaktör: Nikos Aronis
Η ομάδα χορού flamenco ARROYO NUEVO παρουσιάζει στον ομώνυμο χώρο, για
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